Fascist Art & Films

 

Mythological images have very good power to evoke action in people, and also the masses at Nuremberg were ready being told that their destiny was higher than the globe had believed and that they could rise towards the occasion. This only partially explains how so many could have grow to be accomplices in the horrors that would arrive later, but it's a beginning toward seeing how it could happen.

The film helped garner help for Hitler and to generate Hitler himself into a mythic leader. From our vantage thing over sixty decades later, we may perhaps feel that Hitler had already achieved all that he needed and was now only rallying the troops, as it were, but in fact, within the early 1930s there was nevertheless significant opposition inside the Germany to Hitler and towards Nazis and their program. The Nazis did not come to power in Germany with out opposition, and they did not develop their war machine in an atmosphere completely devoid of resistance. There was resistance to the Nazis within German society from several individuals and groups in society, and this resistance was dealt with harshly as the Nazis tried to consolidate their personal power and bring everybody into conformity with their method of belligerence toward Germany's neighbors.

In truth, what Sontag is identifying as fascist art is consequently identifiable in some terms as popular art, contrasted in the kind of art that appeals for the far more sophisticated public she extols from the over quote. She herself cites works including Walt Disney films and 2001 as owning points of fascist art, yet these films can hardly be noticed a serving the same sort of ideology except by a critic making links which are too broad. She dismisses Triumph from the Will because it is irrelevant on the development of film as art today, yet this can't be said of the film like 2001. Significantly popular art also has contempt for all which is "reflective, critical, and pluralistic" and involves a contrast "between the clean and the impure, the incorruptible and also the defiled, the physical and also the mental, the joyful as well as the critical." Such art may be a smaller amount intellectual than what Sontag prefers, but it is hardly a threat to democracy and human rights.

 

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