Yushio Mishima s PatriotismLove , Death and Fascist IconographyTo the fascist artist , his or her generate art is merely a vessel that encapsulates his or her launch socially-motivated beliefs . The works of Yukio Mishima and Leni Riefenstahl , for instance , embody the essence of their individual nationalities at the height of their individual careers - nationalities that might transcend origin and geography , yet extol culture , tradition , ritual and societyMishima and Riefenstahl demo incredible parallelism in their works Mishima , in his unequal story Patriotism , describe the human form with such(prenominal) enlarge and meticulousness reminiscent of Riefenstahl s style in her 1930 s films . ofttimes bid Riefenstahl s The Last of the Nuba , the naked body is depicted as a means of fascist iconography - the body , per fect and thoroughgoing(a) in its protest way , merges with a bigger friendship of bodies of like char motivateeristics (Evans 31 .
Susan Sontag s treatise on the works of Riefenstahl , Fascinating Fascism , breaks wad the latter s grip and fascination of the strong and beautiful Nuba haoma as examples of Nazi ideology corresponding to the idea of aesthetics for fascists Sontag writes , Riefenstahl s portrait of them evokes several(prenominal) of the larger themes of Nazi ideology : the strain between the unclothe and the impure , the incorruptible and the ded , the physical and the psychological the joyful and the unfavorable (par . 27 This is echoed in M! ishima s Patriotism , when the bestow character Takeyama decides to rouse seppuku - ritual suicide by evisceration - as an act of redemption...If you want to get a beat essay, order it on our website:
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