The Grande Odalisqe

The Grande Odalisqe The Grande Odalisque painted in 1884, drew many criticisms. There were complaints or so the lifelessness of the subject, the fact that she has three vertebrae too many. It illustrates the rather unidentified mixture of Ingres’s artistic allegiances. His subject, the reclining nude figure, is traditional, going get by for to Giorgione and Titian; but by converting her into an odalisque, an inhabitant of a Turkish harem, he makes a strong concession to the contemporary Romantic sixth sense for the exotic.

Ingres treats the figure in his own “sculpturesque” style: thinly surfaces and simple rounded volumes controlled by rhythmically flowing contours. The suavity of the planes of the body is complemented by the broken, busy shapes of the drapery. His admiration for Raphael is shown in the fasten on of that master’s type of female head and headdress, and an disposition of the head, as it can bee seen in Raphael’s Madonna...If you want to fix a full essay, order it on our website: OrderCustomPaper.com

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