In Albert Camus myth, The Stranger, various rhetorical strategies are active to more effectively enhance the novel. The main carriage the novel emits, the tone, dictates the way the piece is perceived by readers. The apathetic attitude radiating from the protagonist of the novel, Meursault, derives from the existentialist philosophy. This philosophy heavily focuses on indifference, detachment, and the irrationality of the universe.
A sense of detachment is detected today at the start of the novel, when Meursault first hears word of his mothers death. Instead of expressing any emotion or concern whatsoever, Meursault body nonchalant and indifferent. Mother died today. Or yesterday, maybe, I dont know, (1) Meursault states. Its obvious that Meursault is not heavily affected by his mothers death. Instead of grieving, he is expressionless and impassive. In displaying this indifference, Meursault challenges the moral standards of society, which dictate that one should grieve over death.
The phlegmatical tone of the novel is represented again between the interactions of Meursault and his friend, Marie. Marie desperately craves a relationship of substance with Meursault, and proposes the idea of marriage.
Meursault is again indifferent, claiming that it didnt really matter and that if she wanted to, we could get married (41). Meursault is in like manner expressionless regarding the concept of acknowledge. When responding to Maries inquiry, he claims that it doesnt entertain anything but that I dont think so (41). He answers the question bluntly and without expression. In his assertion that love doesnt mean anything, Meursault exhibits one of the central themes of the piece, the meaningless of valet life.
Meursault again exhibits an impassive tone age in prison. He feels no regret or guilt whatsoever while incarcerated, and only longs for the physical connections, such as nature, the ocean, cigarettes, and sex. He has no reasonable...If you want to get a full essay, order it on our website: Ordercustompaper.com
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