Synopsis on Spielberg's Schindler's LIst

I do altogether the work". This is after Schindler has informed him of his father's advice he puts much bear in, "My father was fond of saying you need three things in life a good doctor, a forgiving priest, and a clever accountant".

The film does not sympathize with Schindler, try to excuse his womanizing, gambling and conning, nor does it make him out to be the angel hero. In fact, early(a) than witnessing the horrors of how Jews were treated, the film does not try to justify why this profiteer began the war wanting to gain wealth and ended the war only caring to save Jews. At one point early in the film, Schindler evidences his long-suffering wife that good deal will remember, the man who "left with a steamship trunk, two steamer trunks, of money. All the riches of the world". In actuality, Schindler leaves with the riches of his soul from sacrificing his ill-gotten wealth to save the lives of much than 1000 Jews.

The film is masterfully shot, directed and scored. Spielberg uses a miscellany of techniques and blends them seamlessly in the film that is shot in monochrome nevertheless for the opening and ending shots. This is significant because when the Germans came to Poland it took the color from Jewish cosmos and replaced it with the gritty black and white reality of the holocaust. Schindler allowed some Jews to ascertain that color in their lives, so the ending being in color is also appropriate to the theme. Otherwise, the film includes a physical body of techniques t

hat serve to fortify the horrors, hypocrisies and lack of humanity of the holocaust. Overlapping dialogue, parallel editing, bold characters and separate versions of Schindler add to the film's depth. So too does the use of cinema verite via hand-held cameras and an al some film noir mood set by the shadows and inflame of the black and white photography. The score is haunting and includes violin constitution by Itzhak Perlman. The parallel editing and everyplacelapping dialogue is ofttimes used to great effect. In one scene we turn around these techniques used when the Nussbaum's are being deported to the ghetto while Oskar Schindler is taking over their recently vacated lush flatbed.

In contrast to Schindler's comment that the apartment with its expensive dTcor "Couldn't be better", we are treated to an qualify between Mr. and Mrs. Nussbaum as they arrive in the chaos and destitution of the ghetto apartments:

Ebert, R. (Dec 15, 1993). Schindler's List, (Review). Chicago Sun-Times, Viewed on July 11, 2003: hypertext transfer protocol://www.suntimes.com, 1-3.

Travers, P. (Mar 24, 1993). Schindler's List, (Review). Rolling Stone, Viewed on July 11, 2003: http://www.rollingstone.com, 1-6.

The film has two motifs running through it, names and lists. When people become nothing more than names on lists, other people are often able to commit the most horrific atrocities against them without feeling the inhumanity in their actions. When Schindler saves the life of unforgiving who forgets his work passport and is deported, the Nazis who almost refused to allow it eventually tell him, "It makes no difference to us, you understand. This one, that one. It's the inconvenience to the list. It's the paperwork." The film does a elegant job of recreating the horrors of the holocaust and the life of one man who salve more Jews from death than Poland. However, there are some critics who involve lambasted the filmmaker for including things that are not accurate historically. Writing in Rolling Stone, Pet
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